Mythic Island Press: Fiction by Linda Nagata

Aloha!

Linda Nagata
... and welcome to Mythic Island Press. I'm Linda Nagata, a novelist whose work explores both near and far future scenarios of technological change. My work is comprised of six print novels including The Bohr Maker, winner of the Locus Award for best first novel; the e-book Skye Object 3270A; and the novella "Goddesses," the first online publication to receive a Nebula award.

Most of my work was done in the mid to late nineties, when I had the privilege of being a stay-at-home mom. Since 2000 I have been working full-time as a programmer of online database applications, a circumstance that has greatly reduced the quantity of fiction I've produced in the new millennium... but pay no attention to the non-believers! I am still writing!

I am also still lucky enough to live with my husband of 25 years in our long-time home of Maui, Hawaii.

contact: linda at mythicisland dot com

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What is Mythic Island Press?

Publishing in general, and science fiction in particular, has been struggling for many years. The world has changed, fewer and fewer people are reading novels (or finding the novels they would like to read), and the youth that should have naturally migrated into science fiction and fantasy have mostly gone into gaming instead. So what is an author to do? Hope for the best, and try to use the Internet to connect with readers. My goal with Mythic Island Press is to keep some of my past work in print, and to offer original fiction that I think is worthy of publication.

Skye Object 3270a...

... is the first title to be published by Mythic Island Press. It's a young-adult novel, set in the same story world used in my print novel Deception Well. It's an e-book, so you can start reading it today. Download it here, or just follow the link to read more about its history and circumstance.

Visit My Blog at Hahví.net

Please visit my blog and let me know what you think! I would love to hear from you. Here's a sample of my recent ramblings:

March 27, 2009

Teotihuacan

On our Wednesday in Mexico City I wasn’t scheduled for any activities with the festival, so Ron and I booked a tour to the pyramids at Teotihuacan. There were maybe ten people on the tour, all of them from Mexico or other parts of Latin America except for us, and naturally the guide spoke Spanish.

Now, I took Spanish in high school, and a little in college, but in no sense do I speak Spanish (a fact I really do hope to remedy). So it was a fascinating exercise trying to follow what the guide was saying.

We went first to the ruins of Tlatelolco, right next door to the building where the festival’s literature track was taking place. The guide walked us around, providing extensive explanations. Panels posted at the various sites explained what we were seeing in both Spanish and English. Ron and I read these, but we also listened to the guide, and I was surprised at how much we could guess/understand about what she was saying. Full-immersion language learning does work, but it’s exhausting!

Next we headed out of the city to Teotihuacan. Traffic was no problem, and it took maybe forty minutes. We went first to a museum, and the guide explained extensively the things we were seeing, but after awhile she noticed the befuddled looks on our faces and asked if we spoke Spanish. Umm…no. So from then on she provided an English version of her explanations—and of course spoke wonderful English! As it turns out, she was a history teacher with a master’s in archaeology, and was amazingly knowledgeable. Ron and I are fairly naïve travelers; we hadn’t specifically asked for an English tour, so we didn’t really expect one…but it was wonderful to discover a bilingual guide anyway.

The pyramid complex is astonishing. For me, the most memorable part of the museum was a carved stone panel depicting an Edenic paradise – the state of Teotihuacan when it was first settled. But over-exploitation of the environment led finally to the abandonment of the city.

We entered into the complex through the Temple of Quetzalcoatl, descended a short flight of steep steps, and walked out past some smallish buildings into the vast sweep of the Avenue of the Dead, where the two great pyramids were suddenly looming overhead. Their size is astonishing, and perhaps not well captured in the photos.

From the moment we set out we were continuously offered knick-knacks and trinkets by polite but persistent sellers. We must have said no-thank-you fifty or sixty times. A small dog was on the grounds, howling, and it was a great sound effect. Also, the eagle whistles (one of which I eventually bought) added to the atmosphere.

We first climbed the Pyramid of the Moon, which is the smaller of the two and has only one flight of stairs to the platform, and no stairs to the top. Next was the Pyramid of the Sun, with several sets of stairs that we were free to climb, although we were not allowed to ascend the last stairway to the summit.

As it turns out, we were most fortunate in that we missed the spring solstice by three days. Teotihuacan is a new-age sacred site, and on Saturday there were many, many visitors, and apparently they were allowed to go all the way to the top…ah well. Ron and I were privileged to visit, and the experience will not be forgotten.

[caption id="" align="aligncenter" width="600" caption="The Pyramid of the Sun as seen from the museum grounds."]The Pyramid of the Sun as seen from the museum grounds.[/caption]

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